Jun 162016
 

camp fireThe fire crackled merrily, stretching orange fingers into the black sky. Avril kept well back, not trusting its temporary solace. Last year an errant spark had leapt out and caught her skirt. The threadbare garment went up like a torch. She’d rolled in the sand while Mam slapped at the flames. Avril had been lucky. She ended up with a minor burn on one leg, mostly healed except for a small reddish gray area. Still, she didn’t want a repeat of that incident.

Across from her Johnny worked to fashion a knife from a piece of stone, using another piece of stone. She thought to tell him it was an exercise in futility, then changed her mind. She’d promised Mam she’d be less negative. Anyway, her brother had actually produced a couple of useful tools. He’d also had his fair share of failures.

She looked over at her mother. Mam pushed a strand of gray hair off her mottled brown face and reached a stick-thin arm behind her for some kindling. They were lucky to find deadfall along the trail, luckier still to have run across some sort of rodent who in turn led them back to the remains of its family living in a shallow crevice near a dried-up river. Dinner. Avril couldn’t remember the last time they’d eaten. Not that whatever it was they killed and cooked tasted good. That was a myth, that everything tasted good when you were starving. They forced it into their shrunken stomachs, though, along with tiny mouthfuls of water. Water was in even scarcer than usual this time of year. They needed to conserve. Soon they’d be traveling by night, pinned down during the day by an unforgiving sun that baked the life out of the earth. Unless, of course, the weather, or what passed for weather, changed again.

“God, what I wouldn’t give for a lemonade!” Avril exclaimed, more to make conversation than anything else. She surprised herself by recalling the sharp tang, softened by white sugar, the pale yellow liquid in a sweating glass. Lemonade reminded her of summer, back when there were seasons instead of the extremes they now endured.

Her mother smiled but said nothing.

“Me, too,” Johnny said, a wistful smile playing across his lips. He still had a kid’s face even with the hint of a beard and a voice that had changed long ago.

lemonade stand“Oh please, you don’t even remember what lemonade is. You couldn’t have been more than what, three or four years old last time you tasted it.”

“I do, too. I remember just we bought it from the kid down the street who had a stand or something. Timmy, that was his name.”

“No we didn’t,” Avril countered. “Some girl named Samantha sold it from her porch.” Pretty redheaded girl with big green eyes, maybe a year or two older than Avril. Were they friends? She doubted it.

“No, it was Timmy. Chubby kid with short black hair. He let me help sometimes. Remember? He lived in a big white house just like ours, only we had red shutters.”

“Now I know you’re just making stuff up. There weren’t any white houses . . .”

Mam shot her a look, bringing her up short.

“Yeah, there were,” Johnny continued. “Ours was the largest. Big back yard, right on the lake. Lots of tall trees. Not like the stuff we see now.” No, thought Avril, not like the gnarled, drought-starved, half-dead dwarf pines they occasionally encountered.

“Interesting. What else do you remember about our house from twelve years ago?”

“Avril, leave him be,” her mother warned in a voice heavy with resignation.

“No, I really want to know.” Avril refused to back down. “Come on, Johnny; tell us how you remember the old life.”

Johnny ignored his sister’s combative tone and considered her question. Closing his eyes against the harsh present, he ransacked his memory. If he concentrated, he could see the azure lake, the expansive emerald lawn, and the gardens dotted with pink and purple and yellow and red flowers. He could hear a neighbor’s dog barking and birds chirping. He could smell dead leaves. He could taste lemonade.

The strength of his recollections surprised him. The world through which they now moved had no lakes or lawns or flowers, no dogs or birds. Cockroaches and various reptiles scuttled across their path from time to time. Otherwise, they saw nothing living, not even other people—not anymore. There weren’t even colors. Skin, hair, clothing, earth and sky blended together, a monochromatic tapestry of grays and browns. Fine grit settled on every imaginable surface and obscured even the burnt-out vestiges of a previous existence.

Johnny took a breath.

“The walls of my room were painted light blue, like the sky—l mean, like it used to be. Avril’s room was yellow. I can’t remember Mam and Daddy’s room. The kitchen had a shiny refrigerator and a stove and an open place where we ate lunch. We had a living room with a big picture window overlooking the lake.” He looked into middle distance. “I really miss that house.”

The tiny run-down cottage where Avril spent the first seven years of her life hadn’t been painted at all. The family—Mam and Pop and her and Johnny—rented from an indifferent landlord who couldn’t be bothered with the slightest repairs. Pop spent most of the time on the road, looking for work, or so he said, so they could buy their own place. The kitchen was worn, with untrustworthy, decades-old appliances. She shared an impossibly small bedroom with her brother. She could see the lake only if she stood on the dresser and looked out the little windows up high near the ceiling, which she wasn’t supposed to do but did anyway.

The house sat directly on a busy dirt road. In the summer, heavy traffic kicked debris into the small garden where her mother tried to grow vegetables. In the autumn, the school bus threw diesel fumes and scattered dead leaves over the paltry offerings. Spring was wet and thick with mud; winter snows piled gray and slushy against the rotting windowsills.

She fought the urge to argue with her brother, to rip his recollections away from him and feed him a dose of reality. What right did she have to serve up her remembrances as the only ones of any value? Memories, even fabricated, were a rare enough luxury. The past, whatever form it took, offered more relief than the present and likely the future.

Avril turned to her mother. “Mam? What do you remember?” she asked.

“What I remember about the house,” Mam began, “was it was filled with love.” She laughed; the sound bounced off the shadows like light on the surface of a summer lake.

Jan 072015
 

That’s the time-honored advice given to any aspiring writer of non-fiction, fiction poetry, lyric or essay.

Write what you know.

Up until my 52nd birthday, I wrote words for music, press releases for clients and the Hemingway quoteoccasional opinion piece. Then I began a memoir, a running diary that began on 9/11/01 and continued for about eighteen months thereafter. At 160,000 words, it’s a mish-mash of styles: the analytical observer trying to record history and the grief-stricken narrator trying to work out her anguish. As my personal ties to the material have loosened, I’ve accepted that the work’s merit lies mostly in its therapeutic value to me. There are some insights worth saving; these I’ve either salvaged for future publication or used as fodder for two of the books I’ve written.

Each of those non-fiction books has grown out of my experience with losing a loved one in an historical event and then fashioning myself as something of a minor player. I’m proud of both Because I Say So: Moral Authority’s Dangerous Appeal and Hope in Small Doses because they represent the intersection of conviction and experience.

Write what you know.

Several years ago, I realized I had no more to say on the seminal but narrow slice of my life represented by the September 11 attacks, which meant that I found myself stuck in the mud just as I was promoting my book on hope (and getting asked specific questions about ground zero or US policy on terrorism or what it was like to be a 9/11 family member—arrgh!). I had a knack for writing; I knew that. With practice, I could get quite good at it. But what was I supposed to write about? What did I know?

I began by enrolling in an established New York writing workshop where the instructor started us on short stories. I loved the work. Writing tales between, say, 1500 and 500 words is liberating. The imposition of length freed me to do other things; to get to the point, to make my words count and my sentences mean something: to be entertaining.

I had lots of ideas for stories about horses and homicidal spinsters, cops and cowboys, telepathic boys and sociopathic girls and a dog worried about being displaced. But while I could fashion my notions into interesting and even entertaining narratives, I was concerned about what my instructor was calling the authenticity of what I was writing. After all, I’m not a horse, housewife, young mother, homicidal spinster, telepathic boy, sociopathic girl or dog.

Write what you know.

Was I writing what I knew? What the hell did I know anyway? I grew up the middle child of a middle class family in a middle class neighborhood in a Midwestern suburb in the middle of the last century. I don’t remember anything interesting happen to me growing up except that which took place in my own slightly dissociative mind. Mildly alienated and marginally different from the other kids, I was nevertheless loved by my family. Where were the mountains to climb, the challenges to overcome, the dramatic or dangerous or debilitating past to throw off in order to emerge stronger, better and more resilient? What did I know of anything? What the hell could I write about? What—other than a single, shocking loss in mid-life—did I have the right to write about?

Write what you know.

Epiphany time, although the epiphany is probably fifteen years in the making: Good writing involves a reveal—not a plot reveal but an author reveal. Put another way, the hardest part of writing isn’t writing what you know but admitting what you know about yourself. One doesn’t have to say it, of course; one just has to show it. Words used as a window, not a door.

Joseph Conrad quoteIt’s not a novel concept, except perhaps for me in my continuing evolution. I don’t need to have lived as a cop or a cowboy or an assassin. Something about those lives will resonate within me. Even if I haven’t climbed a mountain or hiked a trail or met the Dali Lama, I can write about hope, heartbreak, confusion, despair, discovery, joy, tenderness, wonder and pure unadulterated rage.

I can write what I know.