Nikki

Nikki is the author of the award-winning Sam Tate Mystery series, as well as a stand-alone thriller and two non-fiction books. Check out the rest of the site, and please subscribe. It's easy and free. New projects in the works include an ebook of short stories, a YA novel, and a new Sam Tate mystery.

May 032021
 

Four years ago, I came upon an opportunity to “mentor” an incarcerated individual by becoming a pen pal. The offer came on Facebook via an established and well-recognized journalist friend. That was smart; it got me to notice. What got me to sign up was the chance to do something positive, to get me outside myself.

My pen pal is serving time at Green Haven Correctional Facility in Stormville, NY. One year into our correspondence, I visited. We met in a large open space with long tables and chairs separated by low plastic. No, we didn’t talk by phone through glass. I was in the company of maybe two dozen inmates and their visitors, including children. I was by far the oldest there and palest person there.

Our scheduled forty-five minutes turned into three hours because of an unscheduled lockdown which the prison institutes from time to time. I expected to be nervous, and I was, but not for the reasons you might imagine. My guy treated me like royalty. He was easy to talk with. I just wasn’t sure how we could fill three hours.

I needn’t have worried. We talked, mostly about writing, some about his life inside the prison and his family, a little about my experiences as a widow. He brought a lot of his work, some of which I scanned. I bought lunch at the vending machines and we ate companionably. And then I left.

Driving home took three hours and I realized how much the visit had drained me. Nothing like a visit to a prison to understand how debilitating (as opposed to rehabilitating) life in prison must be for the inmates.

The program that connected us allows selected inmates to express themselves creatively. Many of them keep journals. Others write short stories. One is working on a novel. My pen pal writes essays, stories, and plays. One of his pieces made it into a book called Scrolls From a Forgotten World: Prisoners’ Writings and Reflections. His play was produced a couple of years back and a segment of it aired on CNN.

Sometimes I edit his work, mostly not. For one thing, he is improving with practice. For another, his work is authentic and from the heart. You can’t teach that, but you can inadvertently stifle it, and that I never want to do.

He takes great pride in his acquaintance with a “real” author. He claims it’s enhanced his status. All I know is I’ve sent him all my books and he’s gotten them all into the prison library. I can’t tell you how much I love that.

There are rules of engagement, limits imposed by the program, by the logistics of his situation, and by my determination not to promise more than I can deliver. Sometimes all I can do is listen. Mostly, I have to believe that’s as helpful as anything else.

We had a fallow period last year. Like most everyone else, we were both accosted by feelings of despair. I came off my sister’s death and went almost directly into COVID lockdown. In my pen pal’s case, lockdown was that much more onerous. Prisons have been hotspots for virus outbreaks. Visitors were restricted and prisoners lived with the very real danger of living in close quarters within an aging structure with questionable ventilation. Our correspondence faltered.

We’re back to communicating. He has a new play he’s excited to send me. I have a book I want to send him. The prison now allows for paid emails, which he says is what most of the inmates use. I suggested we use email for “emergencies” and stick to letters the rest of the time. They allow for a more personal kind of interaction. The more he writes, the better writer he becomes. I only hope the more I write to him, the better human I become.

For more information on the program, please visit: https://www.transforminglivesny.org/

Mar 292021
 

By any objective measurements, this past winter was a rough one. While COVID hospitalizations and deaths rose and variants threatened, while insurrectionists desecrated the Capitol, while a number of regions experienced punishing weather events, while the gap between the prudent and the reckless grew and it became apparent that a sizeable portion of the population subscribed to views that seemed rooted in the 15th century or maybe outer space–while all that was happening, I watched the gargantuan pile of snow next to my house for signs of spring.

Space is at a premium in my development, and that includes space to pile the snowfall that is cleared from the driveways and courtyards. The small area between my semi-detached townhouse yearly plays host to an abominably large mound I’ve dubbed Gray Mountain. As that side of the house is shaded, the melt is slow.

Gray Mountain represents everything I hate about winter. It’s rock hard, dirty, immovable, and it seems to last forever. Every year I promise myself I’ll trust its demise to time and the elements, and every year I take out my twenty-year-old ice chopper and hack away at it.

This winter, scarcely a year after my sister’s unexpected death and after a quarantine that left me feeling disconnected from the world, I began to attack it with particular ferocity the minute the temperature went above freezing. I would go for a walk so I could compare my heap of frozen ice to others in the neighborhood. Then I’d head back home and, risking injury to shoulders, neck, and lower back, I would chip away at it until my body called it quits.

This morning I finished off the last chunk of ice and walked around the exposed sides of my home. Heavy snows always cause some destruction and this year is no exception. A branch of the Japanese maple I planted ten years ago has been nearly severed, although I might be able to salvage it. Other plants and bushes are mangled and broken as well. Some will come back, some won’t.

The winter did a number on me as well. I’m still assessing the psychic and physical damage and looking for ways to make some repairs. Three weeks out from my second vaccine, I am taking the first tentative steps out in public. We’ll see how that goes.

Meanwhile, Gray Mountain is no more, and spring is here.

Feb 232021
 

Here’s what I’ve noticed after a year of relative lock-down: Few people seem happy about it. Sure, I know people who prefer texts to calls, online classes to sweaty studios, food delivery to crowded stores. Most people, though, are going stir crazy. They are feeling crowded, limited, and maybe even homicidal after living cheek by jowl with spouses, parents and restless children.

Quarantine life should be tailor-made for me. I live alone and have for more of my life than I care to admit. It may not be the life I wanted, but it’s one I own. I’ve gotten good at living it. I understand the difference between lonely and alone and can adjust to either. Believe me, I appreciate the absence of pressure, the luxury of solitude, the privilege of quiet time to think and room to breathe.

Besides, I have my dog. And my muse. Although she’s been absent lately.

I’m an author, which is to say, my identity and sense of purpose are wrapped up in my ability and my need to get my thoughts into a readable form and out into the world. The present circumstances would seem an ideal time to create content.

Yet I’m stuck. Unwilling, uninspired, digging for feeling, reaching for words.

This is more than writers’ block. It feels more existential. What’s it all about? Who cares? Why should I voluntarily put myself in front of this cold gray machine and try to enter random thoughts into it?

My muse has left the building.

Maybe I’ve misjudged the effect of so much isolating, avoiding, hiding away, stepping warily into public, limiting in-person contact, eschewing any physical contact. Maybe it’s drained me in ways I wasn’t expecting. Zoom, it seems, isn’t always ideal for observing, much less interacting.

Instead of experiencing the flow that comes from being productive, I’m obsessed with how slowly time is moving. I used to write several hours a day. Now I’m lucky if I can work half that long. I look at the clock and marvel that it’s only eleven o’clock in the morning. I wonder when I can take lunch, or whether a nap is in order, notwithstanding I was in bed for nine hours (albeit restlessly) the night before. I count the hours until I can crawl back under the warm covers.

I thought I’d accepted that quarantine would last this long (has it really been a year?). Perhaps I failed to understand how that would feel. Was I more social in my previous life than I realized? Did I depend on neighborhood gatherings, coffee with friends, a random evening out? Do I need human contact more than I want to admit?

Well, yes, as it turns out. People in all their imperfections, are the featured players in my writing. Technology has been invaluable in bringing me news of the world, as it is. It doesn’t let me read faces or hear tone.

There are tricks to summoning an absent muse. I’m trying them all as I struggle with my third mystery in a series about an intrepid female investigator (is there any other kind?) I still don’t know how the story will unfold. Instead, I try to get a sense of where I’m going by writing scenes of dialogue. You know, the kind people have when they’re face to face across a table or even at a crime scene. When they’re talking in real life.

Sometimes I can almost feel my muse. She’s hovering, more an observer than an interactive part of my process. It’s okay. I understand her hesitation. No one feels like working right now. But we muddle through.

For now, I keep my seat in the chair and my eyes on the screen for as long as I can. I don’t want my my muse to lose faith in me. After all, spring is around the corner. Vaccines are available to the lucky and the persistent. Herd immunity is the new mantra. I’ve got babies to kiss, friends to hug, and words to write. Onward.