Nikki

Nikki is the author of the award-winning Sam Tate Mystery series, as well as a stand-alone thriller and two non-fiction books. Check out the rest of the site, and please subscribe. It's easy and free. New projects in the works include an ebook of short stories, a YA novel, and a new Sam Tate mystery.

Jan 302015
 

I am drained these days by outrage, including my own.

The other day, I went on Amazon to find several reviews of my new book had been removed because Amazon’s policy is to eliminate any endorsement from anyone with a connection to the author. While I understand Amazon’s caution with regard to spouses and relatives, the policy appears to be applied to anyone in your office who may have liked and wants to review the book you’ve written.

It’s an irritating policy to be sure but initially I wasn’t irritated; I was OUTRAGED.angry cusing smiley face

The Oxford Dictionary defines outrage as that which arouses extreme anger, shock or indignation. The very act of thinking along those lines convinced me the Amazon incident wasn’t worth the effort.

That’s the thing about outrage, though: it acts before thinking. As Stephen Covey, author of The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change, notes “Most people do not listen with the intent to understand; they listen with the intent to reply.”

Insert “read” for “listen” and you’ve got a description of today’s media/social media landscape.

Outrage is no longer the province of Internet trolls—those people who deliberately promote incivility. These days, nous sommes tous les trolls.* A single statement, a single word, can trigger a visceral reaction that begins with the conviction on the listener/reader’s part that the writer or speaker means them harm.

lit matchThe other day I witnessed a commenter go off on a post from a kind and decent woman who wrote, “Oh, I wish we were going to have a blizzard!” The angry respondent chastised my friend for her insensitivity to those who suffer when blizzards hit. She continued to express her fury even after an apology was offered, thus souring what should have been a light-hearted exchange between friends.

That’s another thing about outrage: Once the match is lit, angry or frustrated people can find find all sorts of grievances to use as kindling—anything to keep fanning the flames.

Human beings are hard-wired to be reactive, especially in a group setting. Fans of sports or pop culture have always felt free to give full expression to their displeasure, whether in a fistfight at a bar over a controversial call or a shoving match at an opera house over a less than stellar performance. Mob mentality can easily envelop the most carefully orchestrated protest when participants get caught up in voicing their anger. Of such impulses are riots born.

The trouble is, the platform is much larger nowadays, thanks to social media. So is both our outrage and our conviction that we are entitled to be outraged. Offense is easily given and taken; one doesn’t even have to leave the comfort of one’s own home.

The problem is, outrage creates a toxic climate, a condition in which listening in order to understand is rendered impossible. Some crude self-promotion and canny marketing is always at work, since provocation attracts more attention than accord. The more public the expression of outrage, the more notice is gained.

Wholesale outrage has done the most damage in areas where a dialogue might well bring about a degree of understanding. In discussions about important issues that revolve around equality for non-white or non-Christian or non-straight communities, so many otherwise thoughtful people now stand (or sit at computers) prepared to be outraged. In certain online communities, one does not presume to address the sentiments, strategies, goals or growing pains of a group without the risk of being slammed as “patronizing” or worse. There is empathy for the persecuted, to be sure; but not for anyone offering critical commentary. Alliances are impossible; compromise unthinkable. The default position is not to foster discussion or stay open to constructive criticism but to be inflamed by it.

My problem with the ongoing epidemic of outrage is that first of all, it celebrates a negative emotional reaction at the expense of a rational discourse, precluding the latter at every turn. I can hardly find a thread or series of comments that doesn’t devolve into snippy name-calling or some truly nasty insulting. Every potential conversation is turned into a blood-sport.

Worse, if we get outraged over everything, we concede that everything is worthy of outrage. A flattened football, a shooting by cop, a perceived insult to a religious icon and the murder of people who happen to be living or working in the wrong place at the wrong time—who can believe these are all equally worthy of such heated, violent outbursts? The answer is: they aren’t.

Chronic outrage is exhausting. If we don’t save our righteous anger for things that absolutely must be changed, what changes? All we do is nurture our growing distrust and dislike of our fellow human beings—an idea I find outrageous.
very angry smiley face*we are all trolls.

Jan 072015
 

That’s the time-honored advice given to any aspiring writer of non-fiction, fiction poetry, lyric or essay.

Write what you know.

Up until my 52nd birthday, I wrote words for music, press releases for clients and the Hemingway quoteoccasional opinion piece. Then I began a memoir, a running diary that began on 9/11/01 and continued for about eighteen months thereafter. At 160,000 words, it’s a mish-mash of styles: the analytical observer trying to record history and the grief-stricken narrator trying to work out her anguish. As my personal ties to the material have loosened, I’ve accepted that the work’s merit lies mostly in its therapeutic value to me. There are some insights worth saving; these I’ve either salvaged for future publication or used as fodder for two of the books I’ve written.

Each of those non-fiction books has grown out of my experience with losing a loved one in an historical event and then fashioning myself as something of a minor player. I’m proud of both Because I Say So: Moral Authority’s Dangerous Appeal and Hope in Small Doses because they represent the intersection of conviction and experience.

Write what you know.

Several years ago, I realized I had no more to say on the seminal but narrow slice of my life represented by the September 11 attacks, which meant that I found myself stuck in the mud just as I was promoting my book on hope (and getting asked specific questions about ground zero or US policy on terrorism or what it was like to be a 9/11 family member—arrgh!). I had a knack for writing; I knew that. With practice, I could get quite good at it. But what was I supposed to write about? What did I know?

I began by enrolling in an established New York writing workshop where the instructor started us on short stories. I loved the work. Writing tales between, say, 1500 and 500 words is liberating. The imposition of length freed me to do other things; to get to the point, to make my words count and my sentences mean something: to be entertaining.

I had lots of ideas for stories about horses and homicidal spinsters, cops and cowboys, telepathic boys and sociopathic girls and a dog worried about being displaced. But while I could fashion my notions into interesting and even entertaining narratives, I was concerned about what my instructor was calling the authenticity of what I was writing. After all, I’m not a horse, housewife, young mother, homicidal spinster, telepathic boy, sociopathic girl or dog.

Write what you know.

Was I writing what I knew? What the hell did I know anyway? I grew up the middle child of a middle class family in a middle class neighborhood in a Midwestern suburb in the middle of the last century. I don’t remember anything interesting happen to me growing up except that which took place in my own slightly dissociative mind. Mildly alienated and marginally different from the other kids, I was nevertheless loved by my family. Where were the mountains to climb, the challenges to overcome, the dramatic or dangerous or debilitating past to throw off in order to emerge stronger, better and more resilient? What did I know of anything? What the hell could I write about? What—other than a single, shocking loss in mid-life—did I have the right to write about?

Write what you know.

Epiphany time, although the epiphany is probably fifteen years in the making: Good writing involves a reveal—not a plot reveal but an author reveal. Put another way, the hardest part of writing isn’t writing what you know but admitting what you know about yourself. One doesn’t have to say it, of course; one just has to show it. Words used as a window, not a door.

Joseph Conrad quoteIt’s not a novel concept, except perhaps for me in my continuing evolution. I don’t need to have lived as a cop or a cowboy or an assassin. Something about those lives will resonate within me. Even if I haven’t climbed a mountain or hiked a trail or met the Dali Lama, I can write about hope, heartbreak, confusion, despair, discovery, joy, tenderness, wonder and pure unadulterated rage.

I can write what I know.